Castello di Rivoli Has Rehung Arte Povera. Sung Tieu’s Ruin Complicates the Story
A reconstructed Berlin corridor, a burning Memphis church and a rehung Arte Povera Collection reveal how Castello di Rivoli preserves and reframes history.
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Michelangelo Pistoletto, a central figure of Arte Povera and an artist who turned the mirror, the everyday gesture, and social responsibility into instruments of thought.
From the Mirror Paintings to the Minus Objects, from the Third Paradise to Cittadellarte, this section follows Pistoletto’s work as a living laboratory: not only a chapter in Italian art history, but an open question about what art can do when it stops simply representing the world and begins to change its relationships.
Christelle Oyiri & Neva Wireko, Hauntology of an OG, 2025, installation view of the exhibition Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin, 2026. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin. Photo: Sebastiano Pellion di Persano A reconstructed Berlin corridor, a burning Memphis church and a rehung Arte Povera Collection reveal how Castello di Rivoli preserves and reframes history.
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