Skip to content
October 5, 2026
Latest:
  • Gibellina, Italy’s Capital of Contemporary Art: An Interview with Andrea Cusumano
  • Castello di Rivoli Has Rehung Arte Povera. Sung Tieu’s Ruin Complicates the Story
  • Deborah de Robertis: From Miroir de l’Origine to RAPE TAPES, AI and the Male Gaze
  • Pepe Espaliú: The Sick Body That Forced Spain to Look at AIDS
  • Who Will Win the Venice Biennale 2026 Visitors’ Lions? My Predictions After Three Visits
The Art Trace – Independent Contemporary Art Journal

  • Art Writing
    • Art Interviews & Conversations
    • Artribune Publications
    • Essays & Themes
      • Feminism
      • Eco Art
      • LGBTQ+
      • Street Art
      • Pop Art
  • Art By Decades
    • 2020s – Eco & AI
    • 2010s – Crisis & Rebirth
    • 2000s – Digital Age
    • 1990s – Global Criticality
    • 1980s – Identity & Power
    • 1970s – Concept & Perf.
    • 1960s – Pop & Protest
    • 1950s – Post-War
  • Art Trends
    • 2027
    • 2026
    • 2025
    • 2024
  • Artists
  • About
  • Contact

happiness

My Black My Black
Art Criticism & EssaysArt MovementsEssay on my artThinkism

How I Found Happiness in My Art… and Beyond

February 6, 2025 Antonino La Vela 917 Views 0 Comments Aviva Rahmani,  happiness,  Vincent van Gogh

Maybe It Is Not Art That Can Give You Happiness, But I Can Share My Way… And Perhaps You Can

Read More

Newsletter

No spam. Unsubscribe anytime. Privacy

Check your inbox or spam folder to confirm your subscription.

Art Trends 2027

Art Basel, photograph featured in The Art Trace's Art Trends 2027 report

THE ART TRACE · EDITORIAL REPORT

Art Trends 2027

The artists, ideas and cultural shifts shaping contemporary art in 2027.

Read the report →

Venice Biennale 2026View All

id="breaking-news-widget-prev_colormag_breaking_news_widget-8">
  • Sun Yuan e Peng Yu - Can’t Help Myself (2016)

    Everyone Cried for This Robot. But It Was Never Dying

    September 11, 2026 Antonino La Vela
  • Jago, Habemus Hominem (Left), and Chiara Camoni, Con te con tutto, Italian Pavilion (Right)

    Is Jago Really the Problem? Italian Contemporary Art Has Stopped Taking Risks

    September 9, 2026 Antonino La Vela
  • Natasha Tontey, The Phantom Combatants and the Metabolism of Disobedient Organs, 2026. Installation view at Ateneo Veneto, Venice, Italy. Commissioned by LAS Art Foundation and Amos Rex. © 2026 Natasha Tontey. Photo Jacopo La Forgia

    From Historic Palace to Battlefield for Ghosts: An Interview with Natasha Tontey in Venice

    September 8, 2026 Antonino La Vela
  • Yayoi Kusama

    The 15 European Art Exhibitions Worth Travelling for This Autumn

    September 7, 2026 Antonino La Vela
id="breaking-news-widget-next_colormag_breaking_news_widget-8">

Art News

Loading...
  • Home
  • About The Art Trace
  • Privacy Policy
  • Cookie Policy
  • Antonino La Vela
  • Contact

The Art Trace | Independent Journal of Contemporary Art and Visual Culture
© 2026 Antonino La Vela. All rights reserved.