October 15, 2026

Latest:

Gabrielle Goliath’s Elegy: What Happens to an Artwork After Censorship?
From Matisse to Bacon: Twentieth-Century Painting at the Reggia di Venaria
Gibellina, Italy’s Capital of Contemporary Art: An Interview with Andrea Cusumano
Castello di Rivoli Has Rehung Arte Povera. Sung Tieu’s Ruin Complicates the Story
Deborah de Robertis: From Miroir de l’Origine to RAPE TAPES, AI and the Male Gaze

Ernst Fuchs

Vienna School of Fantastic Realism

The Vienna School of Fantastic Realism: An Exploration of the Extraordinary

Vienna School of Fantastic Realism: Post-War Craftsmanship Meets the Surreal The Vienna School of Fantastic Realism (Wiener Schule des Phantastischen

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THE ART TRACE · EDITORIAL REPORT

The artists, ideas and cultural shifts shaping contemporary art in 2027.

“How You Curate Genocide?”: Faisal Saleh and the Palestinian Question Crossing the Venice Biennale
May 19, 2026 Antonino La Vela
Pussy Riot and FEMEN Protest at the Russian Pavilion at the Venice Biennale: “Blood Is the Real Language of Russia”
May 12, 2026 Antonino La Vela
The Pavilion of Nature at the Venice Biennale. Or, Two Seagulls Challenging Patriarchy
May 11, 2026 Antonino La Vela
Annalee Davis at Biennale Arte 2026. Landscape as Mourning, Archive, and Resistance
May 5, 2026 Antonino La Vela