October 5, 2026

Latest:

Gibellina, Italy’s Capital of Contemporary Art: An Interview with Andrea Cusumano
Castello di Rivoli Has Rehung Arte Povera. Sung Tieu’s Ruin Complicates the Story
Deborah de Robertis: From Miroir de l’Origine to RAPE TAPES, AI and the Male Gaze
Pepe Espaliú: The Sick Body That Forced Spain to Look at AIDS
Who Will Win the Venice Biennale 2026 Visitors’ Lions? My Predictions After Three Visits

Elizabeth Peyton

Elizabeth Peyton — Elvis Angel (Elvis’ Eyes)

Elizabeth Peyton: The Intimate Revivalist of Contemporary Portraiture

Capturing the Soul of Contemporary Portraiture Elizabeth Peyton is a name that reverberates through contemporary art with a resonance tied

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THE ART TRACE · EDITORIAL REPORT

The artists, ideas and cultural shifts shaping contemporary art in 2027.

Kader Attia and the Politics of Repair: Colonial Wounds, Scars and Memory
July 24, 2026 Antonino La Vela
Nick Cave’s Soundsuits: The Body, the Mask and the Violence of Being Seen
July 22, 2026 Antonino La Vela
Lubaina Himid at the Venice Biennale: Representation Is No Longer Enough
July 14, 2026 Antonino La Vela
Ryoji Ikeda at the Venice Biennale: When Data Stops Being Neutral
July 10, 2026 Antonino La Vela