October 15, 2026

Latest:

Gabrielle Goliath’s Elegy: What Happens to an Artwork After Censorship?
From Matisse to Bacon: Twentieth-Century Painting at the Reggia di Venaria
Gibellina, Italy’s Capital of Contemporary Art: An Interview with Andrea Cusumano
Castello di Rivoli Has Rehung Arte Povera. Sung Tieu’s Ruin Complicates the Story
Deborah de Robertis: From Miroir de l’Origine to RAPE TAPES, AI and the Male Gaze

Black Identity

Amoako Boafo - Hudson Burk and Benedita Furacao

Amoako Boafo: Finger-Painted Portraits, Black Identity, and a Rapid Rise in Contemporary Art

Amoako Boafo: Finger-Painted Portraits, Black Identity, and a Rapid Rise in Contemporary Art Amoako Boafo, born Thomas Amoako Boafo on

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THE ART TRACE · EDITORIAL REPORT

The artists, ideas and cultural shifts shaping contemporary art in 2027.

Why Chiara Camoni’s Italy Pavilion Is the Most Dangerous Fragility at Venice Biennale 2026
June 30, 2026 Antonino La Vela
Skrepetsky, Pussy Riot, Pavlensky: Art Outside the System
June 19, 2026 Antonino La Vela
Iran at the Venice Biennale: Withdrawal, Suspension, or Late Return? The Full Story
June 18, 2026 Antonino La Vela
The Ukrainian Pavilion at the 2026 Venice Biennale Exposes the Failure of Politics. An Interview with the Curator
June 14, 2026 Antonino La Vela