Castello di Rivoli Has Rehung Arte Povera. Sung Tieu’s Ruin Complicates the Story
A reconstructed Berlin corridor, a burning Memphis church and a rehung Arte Povera Collection reveal how Castello di Rivoli preserves and reframes history.
Read MoreAlighiero Boetti (Turin, 1940–Rome, 1994) turned systems, language, geography and contradiction into the material of art. Associated with Arte Povera in the late 1960s but never contained by it, he soon developed a radically independent practice. His adoption of the name “Alighiero e Boetti” made duality itself a method: order and disorder, rule and chance, individual invention and collective production.
This archive gathers articles, exhibitions and critical readings of Boetti’s work, from his early Arte Povera experiments to the Mappe, embroidered texts, postal projects and classifications. His collaborations with Afghan embroiderers challenged the myth of the solitary author while raising questions about labour, cultural exchange and geopolitical representation. Boetti’s work remains contemporary because it does not reconcile opposites. It sets them in motion, allowing systems to generate accidents and images to become forms of thought.
Christelle Oyiri & Neva Wireko, Hauntology of an OG, 2025, installation view of the exhibition Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin, 2026. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin. Photo: Sebastiano Pellion di Persano A reconstructed Berlin corridor, a burning Memphis church and a rehung Arte Povera Collection reveal how Castello di Rivoli preserves and reframes history.
Read MoreEmbracing Simplicity: The Richness of Arte Povera Arte Povera is one of the most influential Italian art movements of the
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