Aleksandra Domanović is an artist born in Novi Sad, former Yugoslavia, in 1981. Raised in Slovenia and based in Berlin, she works across sculpture, video, photography, print and digital media. Her practice examines how technology and circulating images shape cultural memory, political identity and ideas about the future.
The dissolution of Yugoslavia forms an important historical background to Domanović’s work. She reuses television footage, internet archives, public monuments and popular imagery to explore how shared histories become fragmented or rewritten. Images move between political systems and digital platforms, acquiring new meanings with each transformation.
Domanović also approaches science and technology through a gender-conscious perspective. Robotic limbs, prosthetic forms and references to overlooked women in technological history question who gets represented as an inventor or author of progress. Her work shows that technology is never culturally neutral. This tag brings together articles, exhibitions and critical perspectives on Aleksandra Domanović’s artistic practice.
Immersion and interaction: the 1990s helped define digital art as an experiential space. Post-Internet Art: When the Internet Stopped Being Somewhere Else Post-Internet Art sounds like a historical contradiction because we are clearly
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