Nicolas Bourriaud; The Usefulness of Art Today
How exhibitions reconfigure relations today Some critics mint a concept and spend years defending it; Nicolas Bourriaud prefers to keep
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Art Interviews & Conversations brings together direct dialogues with artists, curators, directors, cultural figures, activists, and experts. These interviews begin with individual practices, but they rarely remain inside the studio. They also examine museums, exhibitions, art fairs, politics, identity, ecology, technology, and the systems that decide what becomes visible.
I do not approach an interview as a simple collection of quotations. The questions explore how a work is made, why certain choices matter, and what happens when an artistic idea enters the world. Therefore, each conversation becomes both a document and a critical reading.
Artists remain central to this archive. However, contemporary art is also shaped by curators, museum professionals, fair directors, researchers, and cultural institutions. Their decisions affect which works are exhibited, collected, funded, discussed, or forgotten.
For this reason, the category includes different voices and positions. Some conversations focus on materials and process. Others address feminism, queer culture, environmental responsibility, war, censorship, the art market, or the politics of visibility.
Begin with the selected conversations above, or browse the newest interviews below. Each dialogue offers a different entrance into contemporary art: through the artist, the institution, the exhibition, or the conflicts that shape how culture is produced and remembered.
How exhibitions reconfigure relations today Some critics mint a concept and spend years defending it; Nicolas Bourriaud prefers to keep
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Arlene Rush poses with her installation “Rejection, Reject, Re…” (2019) at Pen and Brush. (Credits www.arlenerush.com) Turning Rejection into Artistic Practice This interview with Arlene Rush was originally written and published by me in Italian on
Read MoreTranslation of the original Italian article published by Artribune on August 2, 2025 By Antonino La Vela Link to original
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