Andrea Cusumano, Artistic Director of Gibellina, Italian Capital of Contemporary Art 2026 Andrea Cusumano discusses what Gibellina’s year as Italian Capital of Contemporary Art can leave behind: renewed spaces, lasting relationships, and a future beyond the celebration of its past.
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Natasha Tontey, The Phantom Combatants and the Metabolism of Disobedient Organs, 2026. Installation view at Ateneo Veneto, Venice, Italy. Commissioned by LAS Art Foundation and Amos Rex. © 2026 Natasha Tontey. Photo Jacopo La Forgia Until 25 October 2026, ancient rituals, surveillance technologies and colonial memories run through Indonesian artist Natasha Tontey’s installation at the
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Alessandro Bulgini What happens when an artist stops worrying about being an artist? Alessandro Bulgini discusses painting, people, Gaza, Flashback Habitat, mortality and the responsibility of taking a position.
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Mariuccia Secol at the Venice Biennale, 1978. Courtesy of Artribune. At ninety-seven, Mariuccia Secol looks back on feminist art, psychiatric workshops, Gruppo Immagine, motherhood and the 1978 Venice Biennale.
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Cassils, Becoming an Image, 2013. Photo Cassils & Manuel Vason Between darkness, fire, and “archives” imprinted on the retina, the Canadian artist rethinks the body as a somatic instrument and
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Luigi Fassi, director of Artissima 2026 in Turin Luigi Fassi discusses the role of an art fair that does not simply reflect the market, but seeks to shape
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Installation view, Timur Si-Qin, Mariposita, Art Basel Unlimited, 2026. Ph: Gina Folly Timur Si-Qin at Art Basel: Nature Is the Ultimate Artist At Art Basel Unlimited 2026, Mariposita brings the Peruvian Amazon
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Cittadellarte, Biella, Italy. Photo by Pierluigi Di Pietro. Why the Third Paradise still matters today, but not only as a symbol Before he entered the room Read the
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Valentyna Rostovikova, Ukrainian Pavilion A sculpture against diplomatic illusions. With Security Guarantees, the Ukrainian Pavilion at the 2026 Venice Biennale does not seek to
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Pyotr Pavlensky, Seam. Courtesy l'artista. Photo Maxim Zmeyev Questions on Power, Silence, and Tamed Art From Putin’s Russia to France, and from there to a Europe that prefers
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